materials and / or elements in the works are petals, varnish, newsprint and the female figure.
Figure is presented in detail for some end or part of your body (arms, legs, face), with the intention of acquiring a certain attitude of concentrating on themselves, as the dominant element, or some sector of the table, usually towards or against petals-coating area, the main sector of the state of "hypnotism" of FIG.
newspaper clippings of newspaper articles, they remain dormant but discriminated the main dialog as fragments edit, move, cuts discourse on reality (cuts within the meaning of technical management role as well as for partial reading everyday experience).
way of plot, the embroidery of words in the set daily textual become nonsense language of its communicative value amputee after replication within the composition. His position is adjacent to the main action, the fact, what is presents real and vital in the paint that is the recognition of the picture on the nature, dialogue and questioning their identity.
dialectical dynamism as opposed to text-level compact newspaper.
The figures are female, some of them inspired by literary characters which have an identity, history, wealth of extra information outside the box, which comes with time and space presented in the book. Figure
-varnish and petals are part of the same thing. Flower petals as a final expression of the emergence of the awakening to life, covered with varnish, preserved, isolated from their usual context, stopping time a kind of collections presented for observation. Petals and varnish
an organic shape that exposes all of their material in front of the figure, while the gist of it is embodied in the plane of the set of petals. Observables in front of it, around it, with smooth contours. Mask-like appearance or a silence of some of the bodies. Kind of mirror, reflection body and soul, self-contemplation, discovery. Figures undaunted, arrested in testing of emptiness, loneliness, the inquiry into the nature and the nature of things.
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