Concept Project: Installing
conceptual on the resulting social problems of capitalism and its wasteful consumption of goods and human resources for a fraction distinct from humanity.
Project Description: The project is
sensitive based on references to the poverty and marginalization as a result of political and economic system in which we live. References connotations caused by visual, auditory, and space that are linked to a rational critique of global realities, where the capitalist system reflects more palpable and unworthy.
The exhibition consists of unfinished embroidery weaving stories poorest six different realities, as well as the slums or marginal housing clusters around large cities, the displacement of indigenous communities for the appropriation of land owned by multinationals and / or pollution of land and water, unemployment with the consequent relocation of the private lives of public space, labor exploitation, excessive exploitation of natural resources consumption and resulting few invasions, wars and natural imbalances, waste companies consumer waste recycled the most vulnerable to food or shelter, as well as nuclear waste of the great world powers.
unfinished fabrics will be presented by being part of a social process in its ultimate consequences and where he sees a history from the ownership and exploitation of the land, natural and human resources through colonization for the capitalization of wealth by a fraction of the world. Basted the latter corresponding to a current phenomenon of capitalism where historically oppressed peoples, tame and passive, to stay within the world system should only put the final auction price of their goods. Model evolved mechanism that requires no military strategies, but manifests itself legally and without discrimination on the merchandising to the highest bidder. Therefore criticism is twofold, both the system and to legitimize it with your answer servile causing misery in their societies without further resolutions.
The embroidery represents the long and persistent. The tight and unambiguous stitch day after day. Something that was constructed through the daily, continuously and without great fanfare. One way to signify what topics are generally discussed by scholars and experts in the field, take the domestic and ordinary plane where they finish up our realities on taxes and implanted patterns and reflects the political and economic system as a lifestyle model present in the customs and habits unconscious.
The idea is to return to mean facts and images that are used to seeing and inconspicuous compared to the repetition and rhetoric surrounding them. Become sensitive against habituation in a space provided for your contemplation and with the perverse innocence expressed embroidery. Thus, it appears we have embroidery day after day in the course of our history, the history of man against man.
The object in question are the natural and human resources are synthesized into a central pyramid in the installation of wall-fabric consisting of glass containers for 2 or 3 liters capacity with different elements each ( land, water and blood). Each will have its label of origin in relation to cases selected targeted and more faithfully reproduce problems in relation to natural and human resources. The containers were added a second label that says the highest bidder. Rationed items symbolize try packaging consumption, with the same ease that this attitude is reproduced in a supermarket, where you select and purchase. Containers shall be provided just as hegemonic attitude against the resources and assets of most disadvantaged societies.
Note: availability of the first space where they have the original photos from which they were designed embroidery patterns, as well, newspaper articles on local issues and an explanatory text in the exhibition. It would also be interesting to show pictures of the development of embroidery and assembly of the installation.
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