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intro-washers, washers work


game and accident
numb


game and accident

numb numb



washers is a series of small format works that have generated very intuitively.
I've been working with organic elements for some time, especially with petals leaves and branches that emerge from my garden.
At first, it was only petals that had collected since I was 15 and stored in bags where they were degraded. Roses of my anniversaries.
For several years the petals are always present in my work. Symbolize different things for me regarding how I use them, but keep an essential concept in all that is ephemeral in life, the inevitability of the passage of time, although almost simpre use them so that they "can stop it," a sort of trace of something that happened, "that existed and was part of a pink " of a plant, something growing, something that was alive and living itself.

(dormant series of images which left up here, also http://lucrecialiteras.blogspot.com/2007/03/adormecidas.html
and
http://lucrecialiteras.blogspot. com/2007/03/el-despertar-de-ofelia.html
- part with this idea which was then off work for game and accident trying to make it less stuffy and more fun the concept of power with the environment and the possibility of modifying it).

http://lucrecialiteras.blogspot.com/2007/03/jugando.html
http://lucrecialiteras.blogspot.com/2007/05/negativos_07.html
http://lucrecialiteras.blogspot.com/2007/03/lpices.html

-images also left up here and the links-

pesonajes In Literary Women, back on working with natural elements and flowers, but as a reflection of them as a kind of mirror that express the most authentic of the characters. The petals are only petals are a sort of symbolism of the most essential primary or the person is a primary magma with which the individual is integrated, which is lost or never stops turning off. A site or core from which everything is expressed and also understood. The origin of what we are. Returning to our origins and what represents us as human beings. Later, speak because we do not understand , mocks a bit of everything foreign, of all those behaviors that keep us from feeling this way of life or action on it. Is in doubt about what we really express as individuals. And, finally, or rather, get, washers do not know. How
worked
perhaps let me aware of the outcome. I worked on images printed in black and white and color I was giving them the elements that interested me. It made me remember when we were kids and color the drawings rellenábamos journal Children trying to imagine what the result. Representative images for me because they are women who wash dishes, clothes, clean water and go through what has been used, worn, beaten, for reuse. I like the idea because it is a kind of reuse or recycling there is. A careful about what you have to continue having it and wearing it. Try to return to the point 0, the starting point to get back to the initial time themselves and continue. A kind of ritual. Juxtapose
tackle the petals because I think they have a common message. There is an intention to stay, that things return to be, to remove dust and revive them.

Intention to return to an early stage of innocence, childhood, how vital and authentic. Or at least a ritual that brings us to this, he remembers and tries to recover.
Approach to manual labor, to bodily sensations and leave a memory in the same way about what happened, about the experience, about the intention and effort.
The body as a place to hide our experiences ... perhaps this might be a next series.

Daily life, the organic, intuitive, and the sense of primordial and authentic. A return to origins.

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Douijn-moe Premiere Counts

images on which capital-edge work project-embroidered

desechos



explotación recursos naturales



explotación laboral


unemployment




displaced indigenous communities



slums

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Concept Project: Installing

conceptual on the resulting social problems of capitalism and its wasteful consumption of goods and human resources for a fraction distinct from humanity.


Project Description: The project is

sensitive based on references to the poverty and marginalization as a result of political and economic system in which we live. References connotations caused by visual, auditory, and space that are linked to a rational critique of global realities, where the capitalist system reflects more palpable and unworthy.

The exhibition consists of unfinished embroidery weaving stories poorest six different realities, as well as the slums or marginal housing clusters around large cities, the displacement of indigenous communities for the appropriation of land owned by multinationals and / or pollution of land and water, unemployment with the consequent relocation of the private lives of public space, labor exploitation, excessive exploitation of natural resources consumption and resulting few invasions, wars and natural imbalances, waste companies consumer waste recycled the most vulnerable to food or shelter, as well as nuclear waste of the great world powers.

unfinished fabrics will be presented by being part of a social process in its ultimate consequences and where he sees a history from the ownership and exploitation of the land, natural and human resources through colonization for the capitalization of wealth by a fraction of the world. Basted the latter corresponding to a current phenomenon of capitalism where historically oppressed peoples, tame and passive, to stay within the world system should only put the final auction price of their goods. Model evolved mechanism that requires no military strategies, but manifests itself legally and without discrimination on the merchandising to the highest bidder. Therefore criticism is twofold, both the system and to legitimize it with your answer servile causing misery in their societies without further resolutions.

The embroidery represents the long and persistent. The tight and unambiguous stitch day after day. Something that was constructed through the daily, continuously and without great fanfare. One way to signify what topics are generally discussed by scholars and experts in the field, take the domestic and ordinary plane where they finish up our realities on taxes and implanted patterns and reflects the political and economic system as a lifestyle model present in the customs and habits unconscious.

The idea is to return to mean facts and images that are used to seeing and inconspicuous compared to the repetition and rhetoric surrounding them. Become sensitive against habituation in a space provided for your contemplation and with the perverse innocence expressed embroidery. Thus, it appears we have embroidery day after day in the course of our history, the history of man against man.


The object in question are the natural and human resources are synthesized into a central pyramid in the installation of wall-fabric consisting of glass containers for 2 or 3 liters capacity with different elements each ( land, water and blood). Each will have its label of origin in relation to cases selected targeted and more faithfully reproduce problems in relation to natural and human resources. The containers were added a second label that says the highest bidder. Rationed items symbolize try packaging consumption, with the same ease that this attitude is reproduced in a supermarket, where you select and purchase. Containers shall be provided just as hegemonic attitude against the resources and assets of most disadvantaged societies.

Note: availability of the first space where they have the original photos from which they were designed embroidery patterns, as well, newspaper articles on local issues and an explanatory text in the exhibition. It would also be interesting to show pictures of the development of embroidery and assembly of the installation.

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capital work-talk because we do not understand

back pain and mouth

What

. The weight of words and their consequent digestive problems.

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-talk exercises because we do not understand

intellectual self-cannibalism

The publisher of vomiting

Hurricane-endings

blowing words

leaflets, brochures and parts individual with putty, wire, text prints, pencil, plastic bags, cardboard

Paschal Candle And Labal

intro-talk because we do not understand

plane defined where the accident

recreate natural need
frees us spiritually through the realization of the unspeakable
Ritual
to eliminate the gap between nature and spirit experiences

Aiming synthesis of the incommunicable and unprovable

social matter what
matter is us and our constructions




The question: to what extent help us to live freely, or overshadow us, our inventions and structures
Returning to the origin,
the sense
the spirituality of objects, everyday items





Address: deconstruction;
starting with the usual language.
The redefinition of the elements that would go unnoticed were it not for the re-ask





Scenes:
Chaos, urban, excessive information. Cases of cannibalism
identify and categorizations, isolated from the scope and depth that gives the original vision of things


exorcise

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series-female literary characters introduced



some works from the series: Girl
Walser, Oracle, Alice (in Wonderland)